Arts & Crafts Church – Roof Repair Grant – Andy Marshall offers support

013_proc_procCelebrated architectural photographer, Andy Marshall, is offering his support for our church roof repair bid to the Church Care Roof Repair Fund. Andy invited me over to discuss the project and how he can help (and to admire his cat).

A former roofer, Andy enthused about the church roof. It is the finest Victorian vernacular stone roof in the North-West of England and probably the last of any substantial size as the nation moved to standardized Welsh slate and tile. Graduated stone roofs, like at the church, use diminishing courses. Constructing them involves great skill and they are highly efficient in the use of stone – ever smaller pieces, which otherwise would be thrown away, are gradually introduced towards the ridge of the roof.

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Photo by Alan Gardner Associates

We also discussed how Long Street Church and School encompassed ten years of Edgar Wood’s architectural development and how the last part to be built, the 1902 abstract cubic sculpture over the gateway, announced his shift to modernism. We compared it to contemporary work in Vienna, like architect Josef Hoffmann’s 1902 square relief over an entrance at the 14th Vienna Secession Exhibition . It is just one of the many stylistic connections between Wood and the Secession architects.

Andy will support us with a social media campaign and lend us a specialised time-lapse camera to record the roof repair.

David M.

All Skipped Up

IMG_0003_proc It was a great tidy-up on Saturday, where volunteers from the Edgar Wood Society had a major sort out and tidy up, filling a skip and two van loads of rubbish for disposal and metal items for recycling. Thanks to all involved.

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Locality Workshop 4 – Followed by Edgar Wood Society

We had another double bill yesterday, 15th January, when at 5pm Arts & Crafts Awakening and Locality got together to work through the draft business plan for the Arts & Crafts Church. We and Greater Manchester Building Preservation Trust are presenting it to the Edgar Wood Townscape Heritage Initiative Board on 20th January. Over the last few weeks we’ve made great strides in finding new uses, as well as putting together a restoration scheme, also with the Trust.

At 7.30pm, it was the turn of the Edgar Wood Society committee (some pictured) which ‘set to’ with a raft of ideas for 2015 from purchasing an H. D. Chorlton watercolour to the planning of this year’s events, research and practical support for the Arts & Crafts Church. Watch this space!

Edgar Wood to feature in a book on Art Nouveau

The Edgar Wood Society is liaising with Ediciones Polígrafa, a prestigious publishing house based in Barcelona specializing in books on Art, Architecture and Design, printed in English and Spanish. Here is their web site.

Ediciones Polígrafa are currently working on, The World Atlas of Art Nouveau Architecture, edited by Ivan Bercedo and Jorge Mestre. It will have specialized contributions from all over the globe. Edgar Wood buildings will be included in the United Kingdom section, including Long Street Methodist Church. We are currently helping them out with photographs of Wood’s principal buildings.

Liz McInnes MP joins Christmas Open House

Christmas2014-51_proc064_procThursday evening could not have gone better for organisers Emma and Nick of the Edgar Wood and Middleton THI team. Not only did forty to fifty people visit the candle-lit church but one of those visitors was Middleton’s MP, Liz McInnes.

Liz came to express her support for the THI project and conserving Middleton’s heritage.  It was a great boost for everyone. She was given a tour of the buildings before joining visitors at Ye Olde Boar’s Head for a concert of Christmas music by Middleton Band.

There was complementary seasonal food and drink as well as an exhibition about the heritage grants for the Edgar Wood buildings of the conservation area.

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Mackintosh Architecture Exhibition

Yesterday, 17th December, I travelled up to Glasgow to see the Mackintosh Architecture exhibition at the Hunterian Art Gallery, before it closes on 4th January 2015.

The exhibition is the result of a research project into Mackintosh’s buildings and the practice that he worked for, Honeyman and Keppie, later Honeyman, Keppie and Mackintosh. Elsewhere at the Hunterian, you can visit the internal recreation of Mackintosh’s house and see his travel sketches and paintings.

There are no new major discoveries. Instead, the exhibition tries to rebalance the myths – the doomed romantic, Scottish nationalist, pioneer modernist etc. – simply by showing his drawings and the networks of professionals and patrons in which he worked. Through this everyday evidence you see another Mackintosh emerging, a team player and an exemplary professional working for one of Glasgow’s major architectural practices.

All of the famous drawings are exhibited and what immediately surprises is how large they are, much bigger than the prints in books. You can see his immaculate draughtsmanship, by which he stood out from his contemporaries. The work of Honeyman and Keppie is also shown. They were fine architects working in the styles of the day rather than Mackintosh’s Art Nouveau. There was quite a lot of collaboration between all three designers and Mackintosh could work just as well in the traditional styles, if he needed to.

d281_015Mackintosh’s four large houses are highlighted. In these, his architectural progression is the reverse of other progressive designers, running from the almost abstract Windyhill to the highly expressive Hill House, to the Jacobean Auchinibert (featured drawing above) and finally to the vernacular Mossyde. You can see him absorbing ideas from the English Arts & Crafts movement, initially at Auchinibert, partly through the preference of the client. Mackintosh’s final house, Mossyde, shows him fully resolved as a vernacular Arts & Crafts designer – an astonishing change from Hill House of only a few years earlier. Mackintosh was an architect who could develop and embrace new ideas. It is a shame that architectural work dried up after 1910 then stopping completely in the First World War. Who knows what he may have otherwise produced?

The stripping away of the myths allows Mackintosh’s true genius to come to the fore – that of a professional architect and designer of the highest calibre who buildings inspired many of his own generation and many more in subsequent generations.

Could Jubilee Park Fountain be Restored?

academyarchitect29londuoft_0011 (2)Edgar Wood Society and Greater Manchester Building Preservation Trust are looking into the history of Jubilee Park Fountain and whether it is possible to restore it.

The fountain with its staircase and curved ‘exedra’ was donated by Thomas Broadbent Wood in 1906. He was a greatly regarded Middletonian and father of Edgar Wood, who designed the structure. The design was drawn in 1905 and was so unusual and interesting that it was displayed in the Royal Academy in London and used as the cover for its annual architectural journal, Academy Architecture.

Unfortunately, the fountain no longer exists. If you know what happened to it, or if any part of it survives even if damaged, please let us know by emailing edgarwoodsociety@gmail.com.

Finding any remains would allow us to accurately measure them. However, historian and writer, Harold Cunliffe, has let us have two old photographs which allow us to work out the dimensions almost as well. The trick is to find the exact point from which the old photo was taken, both horizontally and vertically, by carefully working off the photograph.

Then you retake the picture today with a measuring staff set at exactly the position of the fountain and its sculpture. You then merge the photographs in a photo-editing program like The Gimp. Vertical measurements can be read off the staff while horizontal measurements are likewise worked out by digitally turning the rule on the staff.  With such measurements, a mason and sculptor could replicate the design very accurately, using the photos for the details.

These are our first attempts just using a ranging pole, as we currently don’t have a measuring staff. The photos are very close to the original viewing point and the result is very encouraging.  Next time, we hope to get it spot on! Even so, they have already shown that the bottom two steps, where the stone has recently been stolen, were not part of Edgar Wood’s design at all but were added later. Click on the photos to enlarge them…

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This technique was used to restore the original gateposts and fencing to Edgar Wood’s 36 Mellalieu Street. It was inspired by Edgar Wood’s own technique of the ‘measured sketch’ that is sketching old buildings and features and then measuring them. This meant he could accurately recreate the historic features in his own buildings.

 

Edgar Wood Society meeting follows Locality Workshop 1

It was a double bill for some as, yesterday, the first Locality workshop session with Arts & Crafts Awakening and Greater Manchester Building Preservation Trust was followed imediately by the first committee meeting of the new Edgar Wood Society (pic above). However, Geoffrey, Christine, Maureen and the gang put on a great buffet so we managed to keep going from 5pm through to 9.30.

It was a busy day at the Arts & Crafts Church with an afternoon consultation about Tonge Hall in the Ladies Room and another group cleaning and organising the Lecture Room for the evening’s event.

Beginning at 5pm, Locality had a great session lined up for us, helping us think through both the recent past and the future. First, we looked back at how Middleton Heritage and Edgar Wood had evolved over the last ten years and then peered forward with ideas for the future. We brain-stormed some exciting new uses for Long Street School. We are building up our timeline and its milestones at each meeting.

It was good to have Greater Manchester Building Preservation Trust with us. If you are interested in Middleton’s heritage or Edgar Wood, you are welcome to join us. Our next meeting is 5-7pm next Thursday, 4th December.

Please note that the third session is no longer Tuesday 9th but Thursday 11th.

However, the session ran over so as the Edgar Wood Society committee members arrived they mingled with the Locality meeting. There was a good sense of common purpose and fun.

Like these meetings, the aims of Arts and Crafts Awakening and the Edgar Wood Society overlap and an early part of the Edgar Wood Society committee meeting discussed this as people tried to get their minds around how things evolve in the future. The committee also discussed the winter lecture programme, the new Society web site (thanks Lee!) and developing a Middleton and Edgar Wood narrative, based on recent research.

One the research front, we agreed to invite members and non-members to join the Edgar Wood Research Project so that in 2015, the Heritage Initiative’s ‘Year of Edgar Wood’, we will be able to use everyone’s research activities for maximum effect.

Edgar Wood Research Project to visit English Heritage

The Edgar Wood research project, part of the Edgar Wood Society, has been researching Edgar Wood’s buildings over several years, building on the firm base established by architectural historian, John Archer. Now Nick and David of the group are meeting English Heritage in York on Tuesday 11th November to discuss the findings.  It will be interesting to find out what English Heritage think of it all!

Update on the new Middleton Heritage Film…

Anthony Dolan and the Middleton Heritage Film Group are just finalising the details of a Heritage Lottery Fund application for the last in the history of Middleton of films.  Tentatively titled, Romantic Middleton and the Modern Age, it will cover the Middleton story from the late Victorian period through the Great War and into the inter-war era.

The story-line will be shaped by the lives and ideas of the creative figures such as the educational pioneer Julia Schwabe, painters Frederick Jackson and William Booth, craftsman James Smithies and Arts and Crafts designers Edgar Wood and Henry Sellers. It will look at the groups they formed – the Staithes Group and Northern Art Workers Guild – and how these went on to influence the wider art scene and society generally.

The Great War brought the good times of the Edwardian era to a shuddering halt. The film will look at how Middleton reacted to the war and its aftermath and will celebrate the life of its everyday people, especially its Victoria Cross hero, Joel Halliwell, as society moved into the modern era.

Autumn Clean-up

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Today Friday 7th November Christine had a birthday party putting the garden to bed for the winter. The moss was raked out of the grass – mainly moss and not much grass! The bushes and lavender hedge was trimmed, the several bags of spoil were removed to the waste disposal plant.

James Smithies and Middleton Arts and Crafts Workers

The Middleton Heritage Film Group and the Edgar Wood Society have joined forces to research a new film to follow Enlightenment Middleton, tentatively called Romantic Middleton and the Modern Era.  We are studying a group of Middleton Art Workers, initially associated with Edgar Wood, who then developed their own careers but are now largely lost in the mists of time.

James Smithies (of 9 Cheapside) and his son, Herbert, and Tom Wellens (of Back James St., Middleton) were metal workers and furniture makers.  They eventually moved their workshop to Wilmslow. James made various pieces for the Parish Church, including the Robert Catterall plaque (illustrated). Here is a superb Arts and Crafts cabinet made by them.

There also was James Lenagan, a wood carver and furniture maker, who taught at Middleton Technical Classes and worked with Edgar Wood and a J. T Tetlow, who had five exhibits at the Manchester Arts & Crafts Exhibition of 1891.

If you have any information on these people or any others, please let us know by emailing middletonheritage@gmail.com

Thanks!

Arts and Crafts expert visits Long Street…

The Arts & Crafts academic, Stuart Evans, visited the Long Street Methodist Church and School on Friday. Travelling up from the east of England, he was given a tour of the buildings  by David, followed by lunch with  at the Boar’s Head P.H. with Geoffrey and Christine.  Stuart is also meeting Nick over the weekend to discuss the importance of Middleton’s Edgar Wood and Arts & Crafts heritage. Stuart is completing a book on the Century Guild of artists and craftspeople who were influential in the Manchester area at the end of the nineteenth century. He is an expert on Edgar Wood and, Wood’s colleague, J. Henry Sellers.

Go ahead for Middleton Heritage Lecture Room

The go ahead has been given for turning the Lecture Room at the Arts & Crafts Church into a  venue for the groups which make up Middleton Heritage.  The first stage is to clear out and clean the room and Nick volunteered to organise this. We will then introduce chairs, a kitchenette, for cups of tea and coffee, and a large screen for speakers and films. Next year, there are plans for the Lecture Room to be fully restored through a conservation grant from the Edgar Wood and Middleton Heritage Initiative. The room, which was originally designed as a lecture room, will be made available for meetings, talks and functions in 2015/16.

Birth of ‘Vernacular Romanticism’ talk by Nick Baker – 25th October 2014

Nick Baker is a student of Arts and Crafts and modern design and is an expert on Edgar Wood.  His lecture on Saturday gave us an insight into the wider world of Arts and Crafts architecture and how Wood fitted into the bigger picture in the years 1887-99.  It was a great talk, full of knowledge and ideas. As well as Wood, Nick talked about Voysey, Shaw, Baillie-Scott, MacLaren, Prior, Lutyens and Gimson – a roll call of great designers from that time. Presumably, his next talk will be about the period 1900 to 1914… let’s hope so!

Goodbye: Friends of Edgar Wood Centre… Hello Edgar Wood Society, Middleton

At the AGM on Saturday 25th October, the Friends of the Edgar Wood Centre changed their name, after a year or so deliberating.

The use of the name Edgar Wood Centre for Long Street Methodist Church and School never really took off. There was also a bit of confusion between the Manchester Edgar Wood Centre and the one at Middleton.

So the name of the Friends has changed to the Edgar Wood Society, Middleton and the buildings will be known by their original name of Long Street Methodist Church and School, or the short-hand Arts & Crafts Church.

Now that’s much better!

BBC comes to Long Street Arts & Crafts Church…

Yesterday was one of those special days…. With just a few hours notice, BBC Radio and TV turned up to film the church and school. Why? Because English Heritage has just added the Long Street buildings to the national Heritage at Risk register, which is updated and published every year.

BBC Radio Manchester - photo by Nick BakerFirst off, was BBC Radio Manchester and the Allan Beswick morning show – we were on towards the end and at 8.30am a presenter and radio technician came knocking at our door. Nick, David, Nick (from the Council) and Tim (from English Heritage) were there to welcome them and quickly show them around. Michelle, the presenter decided to have a live description from the Lecture Room looking into the garden and then a walk into the church via the vestry. We were all very nervous but they quickly put us at ease and it was a great experience being with such professional media people.

BBC North West Today - photo Nick BakerHaving relaxed from our radio experience, TV came knocking at our door at 11am with Mark Edwardson, the NW Tonight presenter and cameraman. They wanted to do a slot for NW Today at lunchtime and a longer slot for the early evening NW Tonight. Again, we all gave them a tour round and they quickly got up to speed. They chose the corner of the School Hall stage for the shorter NW Today shoot as there is a good bit a grot there! As this was not live, they did three takes and then disapeared to edit and upload the film, while we had a sandwich or two.

By now, Mair from English Heritage had replaced Tim and it was decided that three of us would be interviewed for the NW Tonight shoot. However, when setting up on the Hall balcony, Mark, the cameraman, got a large carbon fibre spinter in his finger from his tripod. This requires hospital A&E treatment so he had to go off imediately leaving Mark the presenter having to do the whole thing on his own, with a small backup camera he had in his car.

We now experienced BBC professionalism at its best as Mark Edwardson worked out a new 1 minute 45 second shoot in his head and then set-to using his little camera and a tripod.  All the professional tricks came out – off-camera interviewing of Mair and Nick, Mark speaking to the camera on the tripod (he did six takes of the introduction in front of the crumbling wall of the stage), distant shots in the garden of David and Nick and a walk past with David, all blended together with stills of the building and its materials. It was a tour de force of improvisation.